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Eusebio, Hist. Ambos son vidas alejadas de las normas mundanas. Hasta cierto punto, la Iglesia adopta las funciones de la polis, y aspira idealmente a ser una civitas absoluta al regular las vidas de sus miembros. Estas virtudes tienen su complemento positivo en la fe, la esperanza y la caridad. Un bien inmutable. Un mal inmutable» Estobeo, Ecl. Su luz ilumina y ciega. Hemos venido a conocerte, oh luz de la vida humana, hemos venido a conocerte, oh luz de toda la gnosis, hemos venido a conocerte, oh matriz fecundada por la semilla del Padre Creo y doy fe de ello; avanzo hacia la vida y la luz.

Bendito seas, padre. Hay algo por encima de ti Comentarios: a Naturaleza de la falta. En el Evangelio de la Verdad, esta sutil doctrina parece presupuesta". Sus pensamientos eran ciegos. Y dijo a sus hijos: «Yo soy el Dios del todo». Este fue el origen de la envidia. Entonces las potestades de la oscuridad la de- searon Los arcontes se reunieron en asamblea y dijeron: «Vamos, to- memos tierra y creemos un hombre de barro» Pero su exterior es una sombra, a la cual llaman oscuridad. A esta sombra, las potencias que vinieron posteriormente la llamaron «caos infinito».

Fue como las sombras inmersas en una extensa substancia acuosa. Y dijo: «Yo soy dios Y dijo: «Yerras, Samael», esto es, dios ciego. Una idea tentadora. En el n. De los dos escritos traducidos y editados en su totalidad ver n. En consecuencia, nos encontramos con dos temas principales: el del contenido u objeto de la esperanza, y el de la base de la esperanza.

En su famoso pasaje de Adv. El relato se cuenta y se calla al mismo tiempo, su esencia es repetitiva para aquellos que conocen, provocadora para los que no. Fue esta ignorancia sobre el Padre la responsable de la Angustia y del Terror.

Ellos eran una Nada, esa Angustia y ese Olvido y esa forma de la Falsedad El Olvido no vino a existir cerca del Padre, aunque vino a existir por El. Por el contrario, lo que origina en El es el Conocimiento, que fue revelado para que el Olvido se disolviera y ellos pudieran conocer al Padre. De este modo, aprendemos finalmente que son «los eones» los que Le buscan, los que carecen de conocimiento y los que esperan obtener un conocimiento de El.

Doresse para los escritos de Nag Hammadi. Mi propia experiencia puede ilustrar lo que quiero decir. Ha desaparecido el cosmos con cuyo logos inmanente puedo sentir afinidad, ha desaparecido el orden de la totalidad en el cual el hombre tiene su sitio. Ese sitio aparece ahora como un claro y brutal accidente. El significado deja de encontrarse y «se otorga». La diversidad de las doctrinas dualistas formuladas se apoyan en este principio humano de una experiencia del yo y del mundo profundamente sentida.

El dualismo se establece entre el hombre y el mundo, y a la vez, entre el mundo y Dios. Este senti- miento es el que se explica en forma de doctrina objetiva. No obstante, el hombre no debe lealtad a quienquiera que haya creado el mundo, ni tampoco respeto a su obra. No tiene nada de providencial y es enemiga de la libertad del hombre. Bajo este cielo despiadado, que ha dejado de ins- pirar una confianza venerable, el hombre cobra conciencia de su total abandono.

E igual que en el caso de Pascal, tiene miedo. La otredad solitaria, producto del descubrimiento de este abandono, surge en el sentimiento del temor. El temor como respuesta del alma a su ser en el mundo es un tema recurrente en la literatura gnostica. Por supuesto, es cierto que su extremo dualismo es el opuesto de un abandono de la trascendencia. Esto, discute Heidegger, es situar al hombre en un lugar demasia- do bajo".

Lo que no tiene na- turaleza no tiene norma. Los «existenciales» tie- nen, por tanto, cada uno de ellos y en conjunto, un significado profunda- mente temporal. Si el acto es ciego, el ver es un producto de la ceguera, la solicitud es un producto de la falta de solicitud, una naturaleza teleologica engen- drada de manera no teleologica.

La fractura entre el hombre y la realidad total se encuentra en el fon- do del nihilismo. Entre esa Escila y su gemela Caribdis vacila la mente moderna. I, y el cap. II, 1. El lugar al que vas El rey de estos eones portaba una espada y una corona de oscuridad [etc. I9 Ibid. La hizo ciega y sorda, inconsciente y conRisa, de modo que al principio no conociera su origen ni su linaje» W. Porque este mundo decae y muere Ten fe en tus buenas obras.

VIL 1-s. De la Luz. Hch ; Dt Es costumbre que cada uno de ellos diga Ver Reitzenstein, Hellenistische Mysterienreligionen, 3. Mt s. Se introdujo en el sucio limo, en el agua turbia Amobio, Adv. Este hijo es Ptahil-Uthra, el demiurgo de este mundo G Sagnard, La gnose valentinienne Efectivamente, explican, era todo amor; pero el amor no es amor si no hay objeto amado.

EvV ss. La crisis se describe, de nuevo, de maneras distintas en diferentes versiones. Las tres versiones coinciden en este efecto: la existencia de una substancia amorfa. Por su parte la Madre, abandonada en medio de la sombra y vaciada de la substancia espiritual, produjo un segundo hijo. Este es el Demiurgo, al que pone como dominador absoluto de las substancias inferiores» Ireneo, 1. El Demiurgo procede del temor, y por tanto pertenece enteramente a la potencia izquierda del alma VI.

Aunque investido de vida inmortal, se humilla incluso ante la muerte» EvV I77 H. Polotsky en C. Schmidt y H. Es bueno y el bueno nunca anida ninguna mezquindad acerca de nada. De mundo, cap. Pues la causa de esto es la entidad que es materia y potencia, y no acto» trad. Este silencio es significativo: la palabra no encajaba en las intenciones de los primeros escritores cristianos.

De Cher. Abelis 55; De Somn. De Sacr. Abelis 2-ss. Malinine, H. Puech, G. Guillaumont, H. Quispel, W. Till, y Abd al Masih, Leiden Estas, tal y como aparecen en su libro, siguen constituyendo por el momento el mayor testimonio con el que contamos, al margen de lo que ha sido totalmente publicado o traducido. Por ejemplo, Panar. De esta manera, la materia vino a existir a partir de la sombra». Schenke en Theologische Literaturzeitung 84 , 1, col.

Citada en U. VI Texte u. Un- ters. Originalmente, el Error ganaba fuerza a partir de este efecto oscurecedor que aniquilaba la luz y, por tanto, la visibilidad : una fuerza negativa, esto es, «el olvido». II, 1 , s. Kairo 18 No hace falta que el universo entero se arme para destruirla; un vapor, una gota de agua es suficiente para matarlo. El universo no sabe nada». Pascal, loe.

Barker, sir E. Bevan, E. Bidez, J. Bousset, W. Buitmann, R. Caird, E. Poteat, Chicago Clark, G. Deissmann, A. Dieterich, A. Dodd, C. Duchesne-Guillemin, J. Gaster, T. Geffcken, J. Grant, F. Grant, R. Gressmann, H. Gunkel, H. Harnack, A. Hatch, E. Hepding, H. Inge, W. Jaeger, W.

Kaerst, J. Kern, O. Labriolle, P. Laqueur, R. Lietzmann, H. Meyer, E. Moore, G. More, P. Murray, G. Nilsson, M. Nock, A. Oates, W. Pohlenz, M. Reinhardt, K. Reitzenstein, R. Rohde, E. Rostovtzeff, M. Schoeps, H. Schiirer, E. Spengler, O. II, Nueva York Tarn, W. Wendland, P. Whittaker, T.

Gnosticismo: General A. Fuentes Buonaiuti, E Frammentignostici, Roma Charles, R. Schriftsteller der ersten drei Jahrhunderte, 15, 17 , Leipzig Casey, Londres Holl Griech. Schrifsteller, 25, 31, 37 , Leipzig Evangelium Veritatis, ver Malinine, M. Hennecke, E. Wendland Griech. Harvey, 2 vols. I, ed. Lipsius, R. Bonnet ed. Malinine, M. Puech y G. Quispel ed. Koetschau Griech. Schriftsteller, 2- 3 , Leipzig Chadwick, Cambridge, Inglaterra Puech, H.

Biblioteca de Nag Hammadi. Montserrat Torrents, y F. Schriftsteller, 13 , Leipzig Kroymann Corpus scrip, eccles. Waszink, Amsterdam Till, W. Estudios Alfaric, P. Anrich, G. Anz, W. Bauer, W. Baur, F. Becker, H. Gotinga Bultmann, R. Kittel's Theolog. Buonaiuti, E. Burkitt, F. Cross, F. Three Studies por FL-Ch. Quispel y W. Van Unnik , Londres, Nueva York Dupont, D.

Foerster, W. Das Evangelium vom fremden Gott, 2. Hilgenfeld, A. King, C. Kraeling, C. Leisegang, H. Liboron, H. Mauer, C. Munich Norden, E. Odeberg, H. Quispel, G. Heidelberg, , 10 , Heidelberg Ryladns, L. Schlier, H. Scholem, G. Volker, W. Fuentes Drower, E. Mead, G. Selections from the Mandaean Jolm-book, Londres Pognon, H. Estudios Baumgartner, W. Brandt, W. Chwolson, D.

Loisy, A. Pallis, S. Save-Soderbergh, T. Stahl, R. Thomas, J. Tondelli, L. Widengren, G. Estudios Butler, E. Cerfaux, L. Cullmann, O. Tijdenschrift, 5 , ss. Fuentes Himno de la Perla: Bevan, A. Preuschen, E. Lipsius, A. Bonnet, Acta Apostolorum Apociypha, vol.

II, 2, Leipzig , ss. Lietzmann, 64 , Berlin Harris, J. Mingana ed. Labourt, J. Batiffol ed. Estudios Himno de la Perla: Bornkamm, G. Haase, F. Schaeder, H. Jahrhundert Texte u. Newbold, R. Hermes Trismegisto cap. Fuentes Nock, A. I: Corpus Hermeticum. Scott, W. I-IV, Oxford Gundel, H.

Kroli, J. Moorsei, G. Los valentinianos cap. John's Cospel, ed. Preuschen Grieg, christl. II, ed. Estudios Baur, E C. Markus, R. Sagnard, F. Fuentes Adam, A. Lietzmann], ed. Al-Biruni, Chronology of Ancient Nations, ed. Sachau, Londres Brinkmann Bibi.

Teubner , Leipzig Allberry, C. Andreas, F. Zycha, Viena Moon, Washington Bang, W. Boyce, M. Chavannes, E. Ephraim's prose refutations of Mani, Marcion, and Bardaisan, ed. Mitchell, vols. Epifanio de Salamis, Panarion Haeresium, 66, ed. Hegemonio, Acta Archelai, ed. Beeson Griech. Schriftsteller 16 , Leipzig Henning, W.

Jackson, A. Le Coq, A. Polotsky, H. Stuttgart Serapion de Thmuis, Against the Manichees, ed. Casey Harvard Theol. Studies 15 , Cambridge Cumont y M. Adam, Texte zum Manichaismus, Shahrastani, Kitab ulMilal, trad, de T. Simplicio, In Epicteti Enchiridion Commentarium c.

Yohannan, en A. Jackson, Researches in Manichaeism; trad, alemana en A. Adam, Texte zum Manichaismus. Teodoreto, Haereticorum Fabularum Compendium 1. Waldschmidt, E. West, E. Beausobre, G. Bornkamm, G. Burkitt, E C. Cumont, F. Kessler, K. Lentz, W. Gesellschaft, N.

VI, Stuttgart , Runciman, S. Salemann, C. WarburgA, , Leipzig Reitzenstein y H. Schaeder, Studien zum antiken Synkretismus Studien Bibi. Warburg 7 , Leipzig Schmidt, C. Troje, L. Wesendonk, O. Wetter, G. Goodenough, E. Heinemann, I. Lewy, H. Wolfson, H. Foundations of Religious Philosophy in fudaism, Christianitv, and Islam, 2 vols. Rudolph, «Gnosis und Gnostizismus, ein Forschungsbericht», ibid. General Ambelain, R.

Bianchi, U. Bohlig, A. Brox, N. Studien I , Salzburgo y Munich Colpe, C. Haenchen y G. Aufsatze hrsg. Groningen, G. Haardt, R. Jervell, J. Auflage [suplemento a la 1. Klein, F. Langerbeck, H. Aus dem Nachlass hrsg. MacRae, G. Merkelbach, R. Orbe, A. I, , Londres y Filadelfia Hyatt ed. El premio gordo no nos ha de caer Pues, con su licencia, D. Es menester que Nadie puede dudarlo E RA ciego de nacimiento.

Adelante, adelante, si no quiere V. Sin embargo, Juan marchaba, marchaba siempre Y los dos hermanos quedaron abrazados y sollozando algunos minutos en medio de la calle. Vamos, Juanillo, haz un esfuerzo; llegaremos pronto al puesto Y le condujo hasta sentarle delante del piano. Santiago exclamaba de vez en cuando:. Y el pueblo de la coronada villa del oso, armado de escopetas, de redes, de hachas, de ganchos de trapero, de piquetas, de cuchillos, de navajas de afeitar, de sierras, Segura mente no.

Estaba desesperado, loco. Temo que no. After many delays Mr. Frutos, a rich peasant-farmer, makes the journey of ten or twelve leagues, and comes to Cordova to visit Mr. Lopera and see the wonders of the ancient city.

Eran las once. Nada: ni por las rendijas entraba un solo rayo de luz, ni siquiera sonaba el vuelo de una mosca. Era el criado. La misma obscuridad, el mismo silencio. Mi buen hombre se restregaba los ojos, se palpaba el rostro, el pecho, los brazos, las manos, para convencerse de que estaba realmente despierto y en el uso cabal de todos sus sentidos y potencias. Ya me parece que llevo lo menos una semana tendido. Tengo sed, tengo hambre. Dame agua otra vez, hombre En dormir.

En mil cosas Llueve mucho, y se pudren las semillas; llueve poco, se endurece la tierra, y no se sacan ni los gastos de la labor; no llueve nada, y entonces Dos veces he querido abrir la ventana, y no pude lograrlo: no entiendo ese endemoniado pestillo. Era de noche. Si su merced quiere Anda, hombre, anda. Coria es alegre y amiga de toros. Esta voz cantaba:.

Nosotros no nos sentimos con fuerza y valor para ello. Melgarejo se propuso conquistar el fuerte castillo, que rodeaba un ancho foso The scene is in the home of a poor peasant, at Valdeflores, a small village in the mountains of southern Spain. El gallo, apuesto y grave, custodiaba su familia con ojo vigilante—como prudente,—y con erguida cabeza, como guapo. Ella era caprichosa, caprichosa y extravagante, como todas las mujeres del mundo. Ayer estuve en el templo.

Callas, callas y doblas la frente Nunca pudo saberse. La catedral estaba sola, completamente sola, y sumergida en un silencio profundo. Madrid, He is the most prominent Spanish dramatist of today. The dramas of Echegaray, though sometimes commonplace and often gloomy, treat modern social problems with great skill. Note that the subject often follows the verb.

Note that the reflexive is to be translated here, as often, by the passive voice. See note, page 1, l. Note that a word ending in z forms its plural in -ces. Do not translate le. The English word-order is ellos son los culpables 'the guilty ones'.

Antonio de Trueba y Quintana , b. Trueba was a poet and writer of popular tales. He was conservative and monarchic; but he loved the common people and delighted in collecting their traditions, which he worked over and embellished to suit his taste before publishing. His works are pervaded by a genial, kindly humor. Casilda is one of the prettiest,—perhaps the prettiest,—of the many Spanish-Moorish traditions.

Trueba took the story from a Spanish poem by the Jesuit Pedro de Reynosa printed at Madrid in , and he put it into simple, graceful prose. Saint Casilda is held in especial veneration in the province of Burgos. The student of Spanish literature must keep in mind that the Mohammedan Moors and Arabs entered Spain from Africa in and became possessed of a large part of the peninsula, and it was only after seven centuries of warfare that the Spaniards were able to reconquer the entire country with the capture of Granada, in The Moorish invasion has left a deep impress on the Spanish race,—on the character of the people, and on their languages and customs.

The Spaniards worship the Virgin Mary perhaps more than any other people do. Usually, a dependent infinitive immediately follows oir , ver , mirar , hacer , etc. Some of her stories for children are popular. Note that the noun subject usually follows the verb in subordinate clauses. The subject treated in Tony , that of a dog that is mistakenly believed to be mad, is taken up again and treated more fully and more happily in Fortuna.

See note, page 21 , l. Other works are Fuego y cenizas verse and several volumes of short stories. It is in apposition to pescador. This idiom is very common in colloquial Spanish. He began as a realist, but his later works have become more and more idealistic. He is a careful, direct writer, elegant in diction, and he excels in psychological analysis.

Both constructions occur, but the first is considered the better. The redundant la is here used because the object precedes the verb. The imperfect is used, as the condition still existed: lo takes the place of novios ,—omit in translation, or translate 'engaged. Often they will go in opposite directions so that they may speak in passing. In Spain and in Spanish America, as in all Latin countries, young men and young women, not closely related, may not walk out together unless they are engaged to be married, and even then they must be accompanied by an older person, usually the young woman's mother.

Note, finally, that a personal pronoun object may follow any verb that comes first in a clause. Luis Taboada , b. Taboada is a playwright and novelist, but he has probably excelled in the humorous articles that he has written for the daily press. There is a good American edition of some of these humorous sketches, Cuentos alegres edited by Prof. The editor of Spanish Tales for Beginners has pleasure in acknowledging his indebtedness to Professor Potter. Note that empleado is the subject of decir.

See note, page 6, l. Note how often the subject follows the verb in this story. Note un , where el would be used, before a feminine noun beginning with stressed a. It is considered better form to use una. The pres. On other occasions they may leave the confines of the colegio only when accompanied by an instructor.

See colegio in Vocab. Some such word as cosas is probably understood after las. See tardar , in Vocab. Note that mente is used with only the last adjective, and note also that the adjectives are feminine to agree with mente. He had a lively vein and was often humorous or ironical, but he was seldom a careful writer.

Beginning as a writer of frivolous tales for newspapers, he ended as a conservative and a member of the Royal Spanish Academy. Note V. Both are datives of separation. The reference here is to the usual command to "move on. See under hacer , in Vocab. Generally it carries little water, but after heavy rains it sometimes becomes a raging torrent.

In the Appendix to Cuentos populares , Trueba says that the people of Madrid are twitted for having once believed that there was a whale in the Manzanares river, when it was only a floating pack-saddle. He lived in the twelfth century. It is related of him that he was one day at prayer in his fields, when angels descended from heaven and drove the plow, finishing his plowing for him.

He is also called the Labrador de Madrid. In a meadow between the wine-shop and the river the empty wine-casks cubas were accumulating. The crest is a crown. Note that va llena is taken for ballena. As a matter of fact, most Spaniards pronounce b and v alike.

Julia de Asensi? There is a good American edition of some of Asensi's short stories, edited by Prof. Edgar S. Ingraham, of the Ohio State University Boston, The editor of Spanish Tales for Beginners has pleasure in acknowledging his indebtedness to Professor Ingraham. A Spanish woman usually retains her maiden name after marriage, but adds her husband's name.

This expletive use of preposition and relative is not uncommon. Acaso often indicates improbability, and is best omitted in the translation. If the time is limited, the grave is opened at the expiration of the time, and the bones are removed to the "bone pile. The poor who can not pay are cast into a common grave, where the bodies remain until the bones can be taken away. Often a score of bodies, sprinkled with quicklime to hasten decay, are buried in the same common grave.

Although this custom is decidedly repellant, it must be borne in mind that in old and densely populated countries the available ground-space is limited. This conjunction takes the subjunctive. See note, page 70, l. In colloquial language the final a of buena , mala , una , etc. The present tense makes the action less remote and more positive. Narciso Campillo , b. Campillo is chiefly known as a poet; his verse is delightful.

He is also the author of a few volumes of short stories, which have a light and graceful humor that is peculiarly Andalusian. See page 99, l. Note how common this future is in colloquial language, when the speaker is not, or wishes not to appear, positive. See origin of Spanish fut. Both usually come to the floor and turn on hinges, so that when they are open one may step out onto the balcony.

In rooms that do not open onto a balcony the windows do not come to the floor. Frutos is a shrewd, practical farmer, but unlettered. She went to Spain to Andalusia at an early age, and became one of the most Spanish of Spanish women. They abound in charming descriptions of the home life of the common people and of nature; but they contain many digressions that are personal or didactic, they usually end with a crime, and often they have an air of evident unreality.

In Cuban and Mexican Spanish, both largely Andalusian dialects, vosotros is rare. His tales are mostly legendary, and are imbued with a morbid mysticism. His lyric verse is perhaps the most finished that was written in Spain during the nineteenth century. This image is held in especial veneration, and it is adorned with many precious stones.

See Sagrario , in Vocab. The subject follows. This use of the imperfect subjunctive in -ra , with the force of a pluperfect or preterite indicative, is not uncommon in Spanish. In Spanish poetry the verse-line must contain some definite number of syllables, as in the following six-syllabled lines:. In the syllabic division of words, a single consonant, or any group of consonants that may begin a word, [A] goes with the following vowel.

The final vowel of one word, and the initial vowel of the next word in the same line, usually form one syllable:. A verse-line contains one or more rhythmic stresses. By rhythmic stress is meant the more important metrical accent that falls 1 always upon the last accented syllable of a line, and 2 near the middle of a line of ten or more syllables. In the following line there are eight syllables and one rhythmic stress:.

The strongly marked rhythmic beat of English and German verse occurs rarely in Spanish. The syllables of a verse-line should be read evenly, with the exception of a slight emphasis and rest upon the word that bears the rhythmic stress. Verse may be blank unrhymed or rhymed. If it is rhymed, the rhyme may be 1 both vocalic and consonantal viv eza , trist eza , pur eza , or hon or , volad or , ol or , etc.

Each verse-line contains one rhythmic stress. Note that the participle agrees with the object when the auxiliary is tener. The expression is elliptic: digo may be understood digo que no After que , son may be understood. Each line has one rhythmic stress. Note that the infinitive is modified by the definite article. The line has one rhythmic stress.

The rhyme-scheme is a , b , b , a , etc. Juan Eugenio Hartzenbusch , b. This kind of metrical composition is called seguidilla. Juan Antonio Cavestany , b. Works: El esclavo de su culpa , Grandezas humanas , El casino , Salirse de su esfera , Sobre quien viene su castigo , La noche antes , et al. These stanzas are quintillas. There are two rhymes in each stanza, and not more than two lines having the same rhyme may stand together. Do not translate. Juan de Dios Peza , b.

His verse is written in evident haste and is often published without revision, but it has simplicity and spontaneity. Peza died in Zorrilla was one of the most popular romantic poets of Spain, and his writings exerted a deep influence on his contemporaries in Spain and Spanish America. Much of his work was done hastily and carelessly. Zorrilla is probably at his best in his Leyendas , which give a somewhat imaginary history of medieval Spain. He wrote comparatively little, but he had a great influence in literature and in politics.

In these lines suave 2d line counts as three syllables, and violeta 8th line as four. The lion was dying. By his side was his son, the future king of all the animals. The monarch gave him his last piece-of-advice. He said to him: You may fight with the other animals. You may conquer them. You may devour them if you are hungry. Huye del hombre. The lion could not control his el impulse. He asked him if si he was the man. Some men resemble the donkey. Have you heard him bray in the mountains?

Continue on your way: perhaps you will meet him. How much is the fox worth? Is it worth as much as a man? Did you enter in the woods? The monkey climbed up a tree. He made mocking gestures at his lord and master. The fox says that the monkey resembles the man. Do not show yourself at the edge of the hole. Look on from above. You can't crush his head with a stone. Do not strike me: I am not guilty.

You are guilty: you did not listen [to] the advice of your father. If you are tender-hearted, you will heed atender a his entreaty. The Moorish king and the king of Castile maintain [a] cordial friendship. Almenon has a beautiful and tender-hearted daughter.

The Christians are never motherless orphans. The princess was growing in beauty and virtue. Her mother died. Do not envy the happiness of the king's daughter. The morning is beautiful when the birds sing, the sun is golden, the flowers open, and the breeze carries the fragrance of the garden to the palace.

You cannot resist the charm of such a morning and you can't be sad. Those fragrant bowers will delight your heart and your eyes. Proclamations ring through the kingdom. If you [will] restore the health of my daughter, I will-give future you my treasures. The wisdom shines [forth] in the words of that physician. His kindness inspires faith. A letter assures Almenon that that man will be the savior of the sick girl.

Almenon weeps with gratitude. A little boy died. His guardian angel came down to get buscar his innocent soul. They lost sight of the wealthy city. In the wheat fields the larks sang, and the woods resounded with the laughter of the wood-cutters. They saw nothing of the gardens full cubiertos of fruit s and flowers. They crossed over a wretched village. The grass grew between the stones. Cuy- techo Cuyo techo. Hang these poplar branches over the bed Coloque usted estas ramas Obtain permission to go and a see the invalid.

Fill the old flower-pot with earth. Water it carefully. Take leave of your gentle friend with kind words. Lie down in your bed: you have the fever usted tiene fiebre. Come on Sunday afternoon. Do not weep so sadly afligido , -a. Its Su light can be seen at a great distance. It guides the sailors during the night. A narrow causeway connects the light-house with the mainland. It cannot be crossed at all hours, because the tide covers it nearly casi all the time.

The story of Tony seems improbable. The man is ungrateful and cruel with the dogs. He sacrifices a dog merely because it has a sad look. But the hydrophobia is a terrible disease. Tony's master was a stockman ganadero. He used-to-go Iba to the pasture lands to buy live stock. Tony was his inseparable companion on these excursions. Have you a fishing-rod? Hold out the rod a little above the water. Where is the bait? You can't fish without bait. If you pass all your idle hours fishing, the small boys will make fun of you.

Dense las formas masculina, femenina, singular y plural, de moreno, bueno, muerto, chico, grande. The Prado is the famous famoso «paseo» of Madrid. Early in the afternoon por la tarde there are few people [there].

Then the children take possession of it. They make use of it for their games of hoops, of "skipping the rope," of ball, and of "hide-and-seek. Their merriment seems [to be] contagious. Me lo puede decir. You would have paid fifty dollars for this overcoat, but I did not.

I entered a store and I said to the clerk: "Show me some cloth for an overcoat. He placed a piece of cloth on the counter. He asked pedir four dollars a yard for it. But I succeeded in making-him-throw-off que me rebajara a dollar on each yard. So you see Ya ve usted that it is useful to know how to buy cheap. Empieza por pedir una silla. No sin decir antes. Le dice a media voz.

Es precio fijo. No dudo de que Vd. Vaya, vaya; veo que no quiere vender usted. If you take a dog into the coach, you will incur the wrath of the employees. The playful little animals molest the people la gente. The ticket collector will demand full fare for the dog.

There is no help for it. It is too large: you cannot hide it. Peregrinos de todas clases llegado. En mi coche penetrar muchos. El fabricante les decir. Si usted tratar de ocultar el perro, el interventor exigir billete entero. Si no pagar usted el importe de medio billete, enojarse el empleado. Querer abrazar a mi amigo, pero las fuerzas me faltar. Two children came to the ticket-office of the Northern Station of Madrid. The more intrepid of the two was a little brunette of about eleven years.

The other was a young gentleman of about the same age. Both Los dos belonged to distinguished families. They wished to go to Paris. But they were too muy young to para travel alone. Probablemente no alcanzaba el dinero. He also buys new neck-ties, and he sighs when he is alone. Were those children really betrothed? What has become of the children? They were captured and taken to Madrid without loss of time. Pido prestado dinero. No sirve para nada.

Un hombre de bien. Pensaba en Finita. Si no era nada. Apenas el tren se puso en marcha. The marquis bought not only one-tenth of a lottery ticket, but sino ten-tenths. Two-tenths he presented to his servants. With the remaining restantes eight-tenths he was-going iba to try his own luck.

You should have heard the cheers in the kitchen! The first prize fell to them.

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