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New York Dolls - Too Much Too Soon song · music La Patere Rose Download mp3 Pop - Various Artists music, buy Pop - Various. Download New York Dolls - Discography () (Glam Rock) for free via torrent on site torenttok.site Nothing Records was an American record label specializing in industrial rock and electronic Location, Cleveland, Ohio, New Orleans, Louisiana, New York City, New. RAY CHARLES FRENCH DVDRIP TORRENT You can use -c, --stdout, --to-stdout professions librales, aucune. You can check scan system, we. Workstation Pro is seven years of experience as a professionals, and businesses relays are known a slight pressure.

Blues Fall On You Come In The Morning Omaha Naked, If I Want To Someday Ain't No Use Sitting By The Window Changes Lazy Me Theatre Of The Mind Lonely Heart Peace Of Mind Virtual Mentality The Inner Journey - Part I Black Roses Rythmizomena In My Dreams Believe In Your Dreams All These Tales Behind This City Decay American Made Never Too Old to Rock Tearin' the Ballroom Down Won't Stop Believing Welcome to the Show Stay Luck of the Draw Cryin' in the Rain Alive The Storm A Whisper Standing on It If God Hard to Believe Ship Every Reason Stumbling Stone Blood Flows The Greatest Story Ever Told Steps On Unknown Water Though someone at the label actually accused me of plotting it, I wish I was that resourceful.

God, however irrelevant he may be to me, works in mysterious ways. The final EP did still feature some backstage debauchery from the Danzig tour, for which Interscope demanded written affidavits from the participants in the sound bites, certifying their consent to be recorded. Marilyn Manson's success in the wake of their hit single "Sweet Dreams Are Made of This " helped garner much anticipation for their follow-up, sophomore album, Antichrist Superstar.

Trent Reznor once again came on board as producer, while Manson, Sean Beavan and Dave Ogilvie shared co-production duties. The process of making the album was long and difficult, involving experiments in sleep deprivation and near-constant drug use, in an effort to create a violent and hostile environment suited to the album's content. Antichrist Superstar , a rock opera concept album [58] was released on October 8, Antichrist Superstar debuted at number three on the Billboard [59] with first-week sales of , copies.

Meanwhile, the band was also reaching new heights of controversy, finding themselves the target of congressional hearings , led by Senator Joseph Lieberman , to determine the effects, if any, of violent lyrics on young listeners.

The band, however, embraced the controversy and catapulted themselves into one of the top rock acts of the late s. Antichrist Superstar has sold over 7 million copies worldwide, [64] with 1. The latter was screened at the San Francisco Film Festival , depicting Manson on a podium, bearing a lightning bolt symbol and, in one scene, tearing apart the Bible and dumping it on the public.

Interscope Records refused to release the "Antichrist Superstar" music video for airplay. However, in , the unedited video was leaked on YouTube. Three previously unreleased songs from the band were also included on high-profile soundtracks to motion pictures. In the years since its release, it has been heralded by numerous publications as a modern classic and essential listening. Nothing continued to sign rock based acts as well, such as 12 Rounds and Rob Halford's 2wo project.

They would also release new albums from their highest selling acts, Nine Inch Nails and Marilyn Manson , as well as another high-profile film soundtrack, Lost Highway. This period of time would become the most prolific era for the label.

In late , filmmaker David Lynch began production on Lost Highway. The film score was created by long-time Lynch composer Angelo Badalamenti , with additional music provided by Barry Adamson. Supplementing their compositions, Lynch also sought to use unnerving soundscapes throughout the film and, at the suggestion of a mutual friend, reached out to Trent Reznor to achieve this.

Over the years, Reznor had publicly praised Lynch's work, particularly the film Blue Velvet and the TV series Twin Peaks , the latter of which Reznor claimed to have even delayed Nine Inch Nails performances, in order to watch the latest episodes. Although Reznor would accept Lynch's offer, he initially found the experience to be a stressful one. He Lynch would describe a scene and say, 'Here's what I want. Now, there's a police car chasing Fred down the highway, and I want you to picture this: There's a box, okay?

And in this box there's snakes coming out; snakes whizzing past your face. So, what I want is the sound of that — the snakes whizzing out of the box — but it's got to be like impending doom. He says, 'Okay, okay, go ahead. Give me that sound.

At the same time, I had to tell him, 'David, I'm not a film-effects guy, I don't have ad clients and I'm not used to being in this environment. I don't work that way, so respect that and understand that I just need a few moments to be alone, so that I know that when I suck, no one is knowing I'm sucking and then I'll give you the good stuff. Reznor composed two instrumental pieces for the film under his own name, enlisting Coil's Peter Christopherson to assist on the songs.

Reznor had lobbied for Coil to take on a greater role in composing music for Lynch's films, but Lynch declined. He wanted David Bowie , he wanted Marilyn Manson , he wanted whomever he could get. He just said, 'These people are really big.

I want this film to be really big. After completion of the score compositions, David Lynch would ask Reznor to handle the release of the soundtrack, which would also include major rock artists personally selected by Lynch, such as David Bowie , Marilyn Manson , The Smashing Pumpkins who recorded an exclusive song for the soundtrack and Rammstein , as well as a new song from Nine Inch Nails , entitled "The Perfect Drug.

Marilyn Manson also recorded a new song for the soundtrack, "Apple Of Sodom," even filming a music video for it, which went unreleased at the time, though it later found its way onto YouTube. Rammstein , who were largely then-unknown and also major fans of Lynch, had sent him their music from Germany.

Lynch, in turn, played Rammstein on set throughout the filming of Lost Highway and selected two of their songs for the soundtrack. A music video for their song "Rammstein" heavily featured clips from the film. Unlike the Rammstein music video, "The Perfect Drug" did not feature any film footage from the film. The Lost Highway soundtrack was originally planned for release in late to coincide with the release of the film.

However, the film release was delayed slightly, instead premiering on February 27, The soundtrack was likewise pushed back, with its official release date set just ahead of the film on February 18, on Nothing Records.

Behind the momentum of the numerous, major rock acts involved, the soundtrack went on to become a commercial success, reaching No. Fellow Nothing Records act Coil was also invited to do a remix. However, they declined, citing lack of time, due to the recording of their album Backwards.

In , the prolific, British electronic musician Luke Vibert debuted a project called Plug on seminal UK label Rising High Records , where he had previously released material under the name Wagon Christ. The Plug material showcased a different side of Vibert's repertoire, foraying into the genres of drum 'n' bass and jungle , which were reaching their peak in the British club scene.

There exists confusion about how Trent had come to know Vibert's work, with Vibert himself stating, "I could never understand how I got it The Perfect Drug remix in the first place. Somehow, Trent heard my stuff and really liked it.

Vibert ultimately opted to accept Reznor's offer with Nothing Records. However, there were some differences between the US and UK editions. The following year in , Vibert would again appear on major labels, returning to his Wagon Christ alias for the Tally Ho! Vibert would later state that he was unable to continue the Plug project, stemming from his inability to record songs in the same style, due to changes in his equipment and recording techniques.

However, a wealth of unreleased Plug material still existed, which would slowly find its way out in subsequent years. In early , Luke Vibert would go back to Ninja Tune, the label which nearly released the Plug material in , to inform them that he found some long-lost, never before heard DATs of Plug material, dated from - To date, it stands as the final release under the Plug moniker.

Due to his propensity to produce under a myriad of monikers and labels, combined with his limited recording window as Plug, Vibert's involvement with Nothing Records did not extend beyond Drum 'N' Bass For Papa , aside from two of the album's tracks featuring on the Nothing Records compilation, Nothing Changes. Vibert remains a well-known producer in electronic music, regularly releasing new material across a variety of electronic sub-genres.

After spending nearly 20 years garnering mainstream success as frontman for heavy metal icons Judas Priest , having recorded 12 studio albums and selling nearly 50 million albums, [75] Halford announced to the band on July 4, that he would be leaving. However, he wouldn't officially depart from the band until May , due to contractual obligations.

That same year, Halford would launch a new heavy metal band, Fight. Fight would release two albums and an EP, before disbanding in autumn of , when they were dropped by their label, Epic Records , due to sales falling below expectations. Throughout the early s, John Lowery had been working as a guitarist around Los Angeles, where he met producer Bob Marlette. The blueprint for 2wo began in October , when Halford first met Lowery. Halford recalled, "I was at the Foundation Forum a few years back and a journalist friend of mine told me about John Lowery, the guitar player.

John and I got in touch. We spent a few days together in Los Angeles and we started to just sit around with some guitars and write. While the project was still without a name, in February , a chance encounter in New Orleans would lead the band onto Nothing Records. Halford recalled, "I was in New Orleans at Mardi Gras, where I go every year, and was partying with some friends and they pointed out where Trent's studio was.

One of my friends said, 'Why don't you go knock on the door and say hi? For whatever reason, I got out of the car and walked across the street and banged on the door. Rave Ogilvie opened the door and welcomed me in. We'd never met before, but he was just a really nice, cool guy and he showed me around the studio. A little while later Trent showed up and we'd never met before either. We just sat there and talked about this that and the other.

He knew I had some demos with me and asked to listen to the music. He listened to it and asked me if I'd leave the cassette, which I did, and that was that really. We hung out together for a couple of more days, because he was in some of the parades and so forth. But then I just went back to Phoenix and didn't hear anything from him for the longest time.

Trent would listen to the songs from Halford's demo and go on to conceive a deeper vision for the work, as well as offer it a home at Nothing Records. Halford explained, "Suddenly he calls me up and first of all offers me a record deal, which was great because I was looking for one. And then secondly, he gave me then his vision, his ideas of where he could see this music going.

Halford stated, "Trent came in pretty much when the whole first sessions of the songs had been completed. They were well past the demo stage. We had practically mixed it down to where we felt we had something we were almost ready to release. What Trent did was basically strip it all down and re-build it. Essentially the songs are all there intact, but in terms of every aspect of the sound, drums, bass, guitars, vocals.

All of that was totally re-developed. All the accessories, all the electronic sounds, samples, all of those came from Reznor and Reznor's people. By September , recording was completed on the album, now titled Voyeurs. With the added collaboration of Reznor and Olgivie, the songs took on more of an electronic industrial metal sound.

The band initially announced their name as Gimp. After discovering another band was already using the name, they quickly changed their name to 2wo. Voyeurs was announced for release on March 10, One month prior to the release of the album, Halford would gain headlines after confirming his homosexuality to MTV.

While not banned, the music video received sparse airplay, due to its mature subject matter. Upon the release of Voyeurs , the band launched a tour in support of the album, though several dates were later cancelled.

The album received a polarizing response, as many Halford fans did not enjoy 2wo's industrial sound, favoring his more traditional heavy metal sound. However, other fans embraced his diversity. Voyeurs went on to sell 47, copies, [79] which was considered a commercial disappointment. When asked about his experiences with Nothing, Halford stated:.

I wasn't completely aware of the Nothing roster and the philosophy of Nothing Records. But as I began the relationship and looked around, and found out what it was setting out to do, I was just thrilled to be a part of it. It's a label that works very much on artistic purity, it's not one that takes and steers the artists in various ways of making the hit record. They just look at you for what your worth is in terms of the music that you present to them.

They seem to become involved based on what they hear coming out of the speakers, not what you look like, what you're image is. It's just what's coming out of the speakers. If they can relate to that, then you can be a part of the Nothing organization. It's a very respective and eclectic bunch of people that Trent has put together. He's the man responsible for the signing on his label.

Upon completing their tour, Halford went back into the studio with Bob Marlette, recording demos for what was intended to be a follow-up album. One demo from these sessions, "Silent Screams," was published on the 2wo website. However, member John Lowery would soon depart from 2wo, in favor of taking lead guitar duties for Nothing Records label-mates Marilyn Manson.

Ultimately Halford's plans for a sophomore album were scrapped, in favor of returning to his heavy metal roots, with a new project simply titled Halford. The debut Halford album, Resurrection , features the final, studio version of "Silent Screams," as well as two other tracks from the original 2wo sessions; "Slow Down" and "Drive," both of which were co-written with Bob Marlette.

The break-up of 2wo likewise marked the end of the band's time of Nothing Records, with Voyeurs remaining their only commercial release on the label. In , Rob Halford reunited with Judas Priest , where he continues to front the band to wide acclaim. After Lowery's tenure with Marilyn Manson ended in , he continued to perform under the name John 5.

In addition to releasing solo material, he has served as guitarist for Rob Zombie since In the years since, both Halford and much of his fanbase have adopted a warmer disposition in regards to the 2wo material. Halford acknowledged a demand for a reissue of Voyeurs , stating "Everyone's asking me about 2wo.

The reason that we really haven't gone there yet is because we're trying to figure out all of the business side of that scenario. When I separated from Sanctuary in London, they gave me the opportunity to buy back all of my Halford solo material. You know, obviously the recordings and the photos and the videos and everything else. So we did a really sweet deal there and then Sony BMG have been really cool about me gaining access to all of the Fight material, because that was originally on Epic.

And I wasn't really sure there would be that much demand for it, but the fact is that everybody keeps asking me about it and I'm really pleased about that. And then when he became involved with Dave "Rave" Ogilvie from Skinny Puppy in Vancouver, the three of us put our heads together and created that final CD. So I think that it would be great if everybody had an opportunity to listen to the original songs, because they are a lot tougher, you know, they're a lot edgier.

They continue to circulate on the Internet amongst fans, but to date, neither the pre-Reznor mixes, nor the Voyeurs album, have been reissued. The trio first began collaborating musically on the Bomb The Bass album, Clear. Through their time in the studio together, they decided to form their own band, originally named 12 Rounds With Jesus. After appearing with a demo of their song "Holed" for a cassette compilation for NME Magazine , entitled Past Forward , the band was offered a deal with Polydor Records.

The band then shorted their name to 12 Rounds and brought on drummer Andy Crisp. The band's first release came in , in the form of their self-titled 12 Rounds E. The E. The Personally E. Music videos were filmed for three tracks from the album; "Holed," "Business" and "Personally," the latter of which was helmed by acclaimed director Chris Cunningham. The band also played the UK festival circuit. Despite their touring and support from a major label, the band failed to attain much commercial success in their native country and received no international distribution, therefore remaining largely unknown outside of the UK.

The band were ultimately dropped from Polydor and member Adam Holden parted ways with the band. Claudia Sarne recalled, "We were the antithesis of everything Britpop represents. So we didn't go down a treat here in England when our first record came out. Our first album was rather punk and raw and in the environment of Britpop and trip hop , it really didn't stand a chance. Trent Reznor would hear this material and offer them a deal with Nothing Records. However, 12 Rounds was courted by numerous other labels as well.

Claudia stated, "We were shocked by the influx of offers, but Nothing was so right for us because it's so artist-led. It's really the difference between feeling like a handmade Bristol and being on a Ford conveyor belt. A music video was also released for "Pleasant Smell. The band then went on their first tours of the United States, with Kirk Hellie joining the band to take over guitar duties. During this time, however, Nothing Records was beginning to face an uncertain future as a record label.

The band completed the album, but to date it has never been released. Meanwhile, the band remained under contract with Nothing, unable to release the music elsewhere at that time. However, in , signs of an album release did briefly arise, when artwork for a promo EP surfaced, entitled Select New Recordings Claudia Sarne stated on the 12 Rounds website that the band sent fifteen tracks for mastering from the third album, twelve of which would compose the final tracklist.

Though a title for the third album was never revealed, the final track list was later published on the 12 Rounds website; 1. High Times, 2. Conspiracy, 3. Could U Be, 4. Big Love, 5. Ring Pull, 6. Still Water, 7. Xocet, 8. Sioux '86, 9. Chicane, Dead Man, Shine On. Another track from the band's time on Nothing, "Freddy's Dead," was recorded for a proposed Nothing Records compilation, but the project never materialized.

The track has never been officially released, however a live version recorded in can be found on the internet. With 12 Rounds stuck in limbo, due to the eventual collapse of Nothing Records, the band began working on outside projects. Photos surfaced on the short-lived Tapeworm website, showing Atticus in the studio with the band. However, the Tapeworm material would likewise never see the light of day. In , Atticus joined his brother Leopold Ross in forming the noise rock band Error , though it would be short-lived, with a one-off E.

Atticus also made contributions to another of Leopold's rock bands, Nojahoda , although that project would also be short-lived. Meanwhile, Claudia Sarne would collaborate with Nothing label-mate Clint Mansell, to provide vocals to the main theme to the film The Hole in After the completion nearLY's debut album Reminder, the band played a handful of select live performances.

It included a performance of "Chicane," one of the songs from 12 Rounds' unreleased third album. After the release of Reminder Live , Claudia announced her departure from nearLY, with the band as a whole quietly dissolving shortly after. In , Claudia and Atticus were married. Claudia and Atticus also continued to collaborate musically, shifting their focus to the film world. The couple began composing music for the cable television drama Touching Evil , which was produced by the Hughes Brothers.

The band derived their name from a song by fellow Nothing Records act Coil. The band also did a small tour in support of the album. After finally reacquiring the rights to their unreleased third album, in , 12 Rounds released two tracks from the album, "Xecot" and "Shine On," as digital downloads on their website, followed by a third track, "Sioux 86," in Trent Reznor was credited with additional recording for the track "Shine On.

It marked the first ever live performance by the current line-up of the band, featuring Atticus Ross, Claudia Sarne, Leopold Ross and Kirk Hellie, as well as the first performance of any kind by the band in over a decade. While not officially billed as a 12 Rounds show, the band played a short set of assorted material from their film scores, before closing their set with a performance of the song "Chicane" from their unreleased third album.

Atticus has stated the album will likely one day be released in digital format, but has described it a slow process, due to his full-time commitments to Nine Inch Nails and film composing. While 12 Rounds has never officially disbanded, the members continue to primarily focus their musical collaborations on film compositions, mostly refraining from crediting themselves under their band name.

After completing touring in support of Subliminal Sandwich , Meat Beat Manifesto would release a follow-up compilation, entitled Original Fire, on May 20, Original Fire compiled new songs, remixes and updated versions of classic tracks from the band and became a North American exclusive of Nothing Records. Play It Again Sam opted against releasing it in Europe, due in part to the fact that some of the tracks had been previously released by them on earlier, European singles from the band, such as 's "It's the Music" single, which featured a remix from Nothing Records act Plug.

Amongst the remix artists on Original Fire , fellow Nothing Records labelmate Luke Vibert appeared once again, this time under his own name, as well as The Orb. The band would release a music video for the song "Helter Skelter '97" in support of Original Fire , which was directed by band member Ben Stokes. Nothing would also release most of the tracks from Original Fire on vinyl, under the name of the "Radio Babylon" promo-only, LP single. The 2xLP version featured an exclusive, bonus remix from Luke Vibert.

Nothing even released a double LP version of the album on vinyl. A second single from the album, "Prime Audio Soup," would go on to become a hit for the band, due in part to being featured in the successful action film The Matrix , as well as appearing on the film's soundtrack , which also included Nothing Records label-mates Marilyn Manson. While Nothing Records did press promo copies of the single, it was never commercially released by the label in the US. Meat Beat Manifesto is one of the few acts to have seemingly left the label on good terms.

As late as , Jack Dangers commented that "I really appreciate Trent's willingness to put his money where his mouth is. Not many people have had the guts to do this. Everyone should know that Nothing have been incredibly supportive and they never try to manipulate my music. What I give them, they release I have artistic freedom and support from a label that truly has their shit together.

However, in , when it came time to release their next studio album, RUOK? That same year, the band released The band also released their first DVD, In Dub 5. For their next album, At the Center , the band would take a departure in sound, recording a full blown jazz album. A collaboration between Dangers and several jazz musicians, the album was released on Thirsty Ear in , as part of their Blue Series. This was followed by their next studio album, Autoimmune , in The album would see a U.

Each version of the album had a slightly different tracklist from one another, as well as different artwork. In , the band released their next studio album, Answers Come in Dreams. The album's name is derived from a pair of remixes Jack Dangers did for Nothing Records label-mates Coil in , for their E. The Snow. The album was once again released in the U. Meat Beat Manifesto's time on Nothing Records was, by all accounts, a positive experience for the band, with their departure primarily due to logistical reasons.

In the years since, Dangers has spent his time bouncing from label to label, as well as self-releasing quite a bit of the band's material. Since the release of Answers Come in Dreams , the band has kept something of a low profile. However, they have not been entirely dormant, self-releasing a couple of EPs and playing select live dates. Rumors persist of a new album being in the works, though to date, nothing has been announced.

After the success of Antichrist Superstar , Marilyn Manson entered the studio with much mainstream attention to record their third full-length album, Mechanical Animals. Unlike their first two albums, Mechanical Animals would not be shepherded by Trent Reznor , who had shifted his focus back to Nine Inch Nails.

Instead, the band enlisted Michael Beinhorn as principal producer, co-producing the record with Marilyn Manson , with Sean Beavan providing additional production duties. During this time, the band would also relocate from Fort Lauderdate, Florida, to Los Angeles, California, where recording commenced on the album. Inspired heavily by David Bowie 's Diamond Dogs album, Mechanical Animals shifted away from the industrial rock style of the band's earlier work, instead emulating a s glam rock sound, epitomized by artists of that decade such as Bowie , Queen and T.

Conceptually, the album delved into Manson's own struggles with fame and alienation. Manson described the album as being about "someone who feels like they're in a place where they're not accepted or don't belong. It's more from that perspective.

It's much more vulnerable music that I'm making on this new album. Both sonically and lyrically, it's about the depression of alienation, rather than the aggressiveness of it. It's about the emptiness. The cover art depicted an androgynous Manson , naked with breasts, six fingers and airbrushed genitalia, which stirred up more controversy for the band.

One month before the album's release, the three largest retailers in the United States at the time— K-Mart , Wal-Mart and Target —refused to stock the album, citing the cover artwork and its Parental Advisory sticker. In spite of this, the album debuted at number one on the Billboard , with first-week sales of , units, [85] making it the first Marilyn Manson album to top the charts.

The album was led by the single " The Dope Show ", which received heavy video and radio airplay and would go on to become the band's most commercially successful song. The band launched a series of tours to promote the album, the first being the Mechanical Animals Tour. Prior to the tour, guitarist Zim Zum opted to part ways with the band, leaving under amicable terms in order to pursue outside projects. After joining Marilyn Manson, Lowery assumed the stage name of John 5.

The U. The band then announced a co-headlining tour with Hole , called the Beautiful Monsters Tour. The tour would be ill-fated, however, due to conflicts between Manson and Hole singer Courtney Love. This led to Hole departing the tour after just nine dates. The final four dates of the tour were canceled out of respect for the victims of the Columbine High School massacre , which brought Manson arguably the greatest controversy of his career, as the media mistakenly accused him of influencing the shooters.

The third single, " Rock Is Dead ", was featured in the accompanying soundtrack of the film The Matrix , with the song being played during the film's end credits. The final single from the album was " Coma White. While Mechanical Animals did garner critical acclaim, it was initially met with disappointment by longtime fans, who disliked the more mainstream sound, as well as the band's departure in style from their darker, more aggressive material.

In time though, some fans adopted a warmer disposition to the material. In the wake of the album, tensions also mounted between Marilyn Manson and Trent Reznor, with both sides increasingly criticizing one other in the press. Reznor described Manson as willing to cross anyone in order to succeed, [89] while Manson accused Reznor of destroying masters and mixes to many of the band's early, Reznor-produced songs.

In more recent years, however, tensions seem to have subsided between the two. In , Reznor described Manson as "a talented person," adding "we've had our problems, but I wear suits I'm an adult now. I really don't. He helped put me out into the world and I went my way and whatever happened happened. I don't think there is tension.

The album was followed by the home video God Is in the TV , which chronicled the band's tours in support of the album, as well as compiling all of their music videos to date. It was released on November 2, on VHS. A live album from the tour, The Last Tour on Earth , followed shortly thereafter on November 16, The live album ended with a studio outtake from Antichrist Superstar , entitled " Astonishing Panorama of the Endtimes.

Unruh and Alexander Hacke. The band established a following due to their innovative instrumentation, particularly at their live shows, which, in addition to traditional instruments, featured custom instruments built from scrap metal, found objects and power tools. Vocalist Blixa Bargeld also brought added attention by concurrently serving as long-time guitarist and backing vocalist for Nick Cave and the Bad Seeds from to Over the course of the s, the band would rise through the ranks of many established labels, such as Some Bizzare Records and Rough Trade Records , where they released albums such as Kollaps , Zeichnungen des Patienten O.

English translation: Drawings of Patient O. Fellow, future Nothing Records label-mate Raymond Watts of Pig would also frequently serve as an engineer for the band throughout the s, both in the studio and at live shows. The band's rise through the s paved the way for a deal with Mute Records in the s, beginning with Tabula Rasa in The album marked a change in sound for the band, shifting into softer, less abrasive songwriting and featuring expanded use of electronics.

The band would also release a sequel compilation, Strategies Against Architecture II , during this time. The recording of their next album, Ende Neu English translation: Ending New , would prove to be a difficult one, due to the departure of long-time members Mark Chung , who left at the outset of recording in , as well as F.

Einheit , who contributed much to the music and sound of the band and left a short time later in , amidst recording of the album. Blixa Bargeld questioned if the band would continue, stating "There was suddenly only three of us left, which makes it a bit tough. Ende Neu was completed and released on Mute Records in , with the song "Stella Marris," a duet between Bargeld and Hacke's then-wife, singer Meret Becker , garnering particular acclaim.

The band supported the album with a world tour. Trent Reznor had been a long-time fan of the band, openly citing his admiration for their music. The band, which held the copyright to their album, liked the appeal of additional major label support, as well as Reznor's enthusiasm for their body of work and agreed to a licensing deal with Nothing Records.

Bargeld recalled, "Trent Reznor is so kind to contract the band, which he always admired. The album was finally released in the U. Nothing also financed a U. Mark Rutherford. Neither of these releases were picked up for licensing by Nothing Records. By this point, much like fellow Nothing Records act 12 Rounds , the band found themselves victim to the same corporate shake-up. I asked if that was a joke. We make a record deal, then they don't release it, so we left them. The band decided to instead allow Mute Records to handle both the European and American releases of Silence Is Sexy , with the album being released in Beginning in , the band began recording a new album, without support from a major label, relying instead upon fan support in an experiment on their website, offering exclusive audio in exchange for paid membership.

An exclusive Supporter Album No. The band would follow this template for years to come, releasing a myriad of exclusive titles to their fans. The band released the album Perpetuum Mobile in , once again returning to Mute, in part to help facilitate a world tour. Alles wieder offen English translation: All Open Again followed in , which was self-released on the band's own Potomak label.

The band continues strong to this day, having garnered much critical and commercial success. They are considered to be one of the pioneers of industrial music , despite their own apathy to such accreditation. The band continues their formula of releasing major albums on labels, supplemented by a wealth of self-released material direct to fans.

Autechre arrived at Nothing via a licensing deal with their UK label, Warp Records , as part of a package which also included Warp acts Squarepusher and Plaid being picked up by the label. Their sound was considered pioneering within the electronic music scene, with their early work rooted in techno , house , electro and hip hop , while their later efforts ventured into more experimental soundscapes.

Nightmares On Wax , Autechre. These licensing deals, in addition to Warp's highly acclaimed Artificial Intelligence series, in which Autechre participated, would help cement both Warp Records and their rosters' global presence and influence. Nothing Records became the next in this revered line of labels to collaborate with Warp, after Nothing label-mate Jack Dangers of Meat Beat Manifesto claimed to have introduced many of the Warp acts' music to Trent Reznor.

Prior to their arrival at Nothing, much of Autechre's back-catalog had seen release through Wax Trax! After the licensing deal with Wax Trax! By , Autechre had completed their fifth album, LP5. Upon being picked up by Nothing Records, Autechre's Sean Brown commented on the advantages of being on a major label, stating "It's really interesting working with him Trent Reznor. It's a learning exercise as much as anything.

I don't know what's going to happen with it being on Nothing Records. It's a long time going and it's like after that, whatever, if someone comes along and offers you a ridiculous amount of money. It's much more than we needed, but it's like it's turned out really useful, because we've managed to get everything going. Autechre would continue to be licensed by Nothing Records until , with Nothing working in tandem with Warp to release nearly all of the duo's new material in the US during this period.

In , Nothing released Autechre's Peel Session a live recording from John Peel's legendary radio show - a second session of which was released by Warp in and EP7. Manufacturing issues prevented the hidden track 00 from inclusion on the Nothing Records edition. Also in , Autechre released the SplitRmx12 promo-only 12", which featured an Autechre cover of Neu!

Autechre's time at Nothing Records would conclude when Warp Records established their own US distribution, though a deal with Caroline Distribution which has since ended , effectively ending all of Warp's licensing to Nothing. Autechre's licensing through Wax Trax! All three of their Nothing Records releases were eventually reissued in the US under the Warp umbrella, after the Nothing deal ended.

Autechre remain going strong to this day, where they continue to call Warp Records their home, having released numerous albums to critical acclaim in the years to follow, such as Confield , Draft 7. Squarepusher , much like label-mates Autechre and Plaid , came aboard Nothing via a licensing deal with Warp. After learning bass guitar and playing in local bands in his youth, Tom began taking an interest in techno and house music in the early s.

Jenkinson said of Plug's track "Military Jazz," "This track came on and, amongst the road noise and chatter, I heard what I thought was some sort of hip-hop track being played by a band. As the track progressed, I became more intrigued, as it sounded like they were trying to play as if it had been programmed. Then the Amen [break] came in, and I was floored; it sounded like a drummer playing breakbeats, and made me totally rethink my ideas of programming breaks.

Jenkinson's first recordings came out under his own name, with the Stereotype E. The EP did not receive the level of attention Jenkinson had hoped for, but it did catch the ear of Grant Wilson-Claridge of Rephlex Records , who contacted Tom to express his compliments. Jenkinson went on to record a few more releases under his own name, including the Crot E.

James, a. Aphex Twin. Squarepusher released the Squarepusher Plays Jenkinson signed a multi-album deal with Warp and the label would become his long-time and primary home. By , the Nothing deal had come into place and Squarepusher would receive his first licensing into the United States, after Nothing label-mate Jack Dangers of Meat Beat Manifesto claimed to have introduced his music to Trent Reznor. The song "Come On My Selector" was also moved up to open the album, with a music video for the track directed by Chris Cunningham , which was included as a file on the Nothing edition, as an enhanced CD.

Nothing did not pick up Hard Normal Daddy for release, but did pick up most of Squarepusher's output through the remainder of the s. The mini album Budakhan Mindphone followed on March 1, The Maximum Priest E. Aside from Big Loada , all of the Squarepusher releases on Nothing Records were essentially identical to the Warp editions. Squarepusher's tenure at Nothing Records concluded when Warp Records established their own US distribution, though a deal with Caroline Distribution which later expired , effectively ending all of Warp's licensing to Nothing.

Squarepusher's licensing through Nothing Records served Jenkinson well in helping to establish his US following. By the time he began receiving direct US release via Warp, Squarepusher had become known as one of the most innovative acts in electronic music. All five of his Nothing Records releases were eventually reissued in the US under the Warp umbrella after the Nothing deal ended, though the album-length version of Big Loada remains unique to Nothing Records, with Warp opting to keep the releases in their original, EP formats.

Also in recent years, Jenkinson has launched a live band, Shobaleader One, which releases both original material and reinterpered versions of Squarepusher classics. They have released two albums to date; d'Demonstrator and Elektrac. Plaid , alongside label-mates Autechre and Squarepusher , was part of a trio of Warp acts picked up for licensing in the United States after their label struck a deal with Nothing Records. Handley and Turner would appear on numerous albums with The Black Dog during the early s, which received critical acclaim, including Bytes , Temple of Transparent Balls , Parallel and Spanners.

The album was self-released on their Black Dog Productions imprint. Plaid released the Android EP that same year for the Clear label, before signing with Warp Records , which had previously worked with them, during their time with The Black Dog. Plaid released their debut album for Warp in , entitled Not for Threes. The album was preceded by the single Undoneson. The Nothing version removed the track "OI" off the album, while adding on "Undoneson" and "Spudink" from the Undoneson single.

Nothing released the Peel Session in the US on April 20, , which featured no audio alterations from the Warp edition. Plaid followed up with a sophomore album, Rest Proof Clockwork , the same year. The album featured a hidden track called "Face Me," featuring Alison Goldfrapp. The Nothing Records edition was released on June 21, , featuring an identical track list to the Warp edition, including the hidden track.

Plaid also announced the Booc EP in the late s, but it suffered repeated delays, before finally surfacing on Warp in It was not picked up for US release by Nothing Records. Rest-Proof Clockwork would be Plaid's final release on Nothing Records, as Warp Records established their own US distribution in the early s, via a deal with Caroline Distribution which later expired , effectively ending all of Warp's licensing to Nothing.

Warp would later reissue all three of Plaid's Nothing-released titles in the US. Plaid would go on to become known as one of Warp's most critically acclaimed and tenured acts, earning a dedicated, worldwide fanbase within the electronic scene. Micko Westmoreland was born in in Leeds, England and had an ear for music from a very young age, learning guitar, keyboards and bass. Throughout his youth, Westmoreland would dabble in traditional instrumentation, until , when his decks and records were stolen.

Using insurance money received as a result of the theft, Micko decided to purchase an Atari and synth and began his first experimentations in electronic music. While still developing his sound, during his time in college, Westmoreland collaborated with musician Brian Eno and a host of other young artists on the "Self Storage" exhibition at Wembley. By the mids, Micko had honed his skills as an electronic producer and began recording as The Bowling Green; the name being derived from the venue on which the sport of bowls is played.

The sound of The Bowling Green crossed many styles of electronica, incorporating a distinct sense of retro and nostalgia. Micko's earliest music to reach public ears would be for his brother, Wash Westmoreland , who began as a gay porn director, though he would later transition into an acclaimed independent filmmaker.

Around this time, Micko approached numerous labels and several responded with offers. Micko recalled, "So they lent me their studio and I used to go in there on Sundays and work for 23 hours and finish the mixes at about 8 in the morning, which is quite hellish really. Micko also began working on a debut album, opting to record in a home studio, appropriately named The Spare Room, in Ladbroke Grove, West London. The role came about by chance for Micko, as Todd Haynes had been taking residence in the home of Micko's brother, Wash Westmoreland , while shooting his film Safe.

Initially auditioning for a minor part, Micko was instead cast in the pivotal role of Jack Fairy. The album contained numerous samples, including dialogue from the cult horror film, The Wicker Man. The album's samples were left intact for the U. The Bowling Green's run on Nothing Records was limited to the release of One Pound Note , as the Blue Planet label went on hiatus shortly thereafter before eventually going defunct altogether after a brief return from to The album marked a shift in sound for Micko, with many tracks more focused on songwriting.

In addition, Spiky released three inch singles around the Fabrications album; Pre-Fabrications Vol. One , Pre-Fabrications Vol. The album marked a significant change in sound for Westmoreland, leaving electronic music behind, in favor of a British indie rock sound.

In , however, Micko released an electronic project known as Wooden Spaceship in the U. The Wooden Spaceship material, which amounted to a one-off, self-titled EP, hearkened back to the electronic nostalgia and wonky beats of his electronic roots and represented a bridge between The Bowling Green and his later, eponymous solo material. In , Micko launched his own label, Landline Records, which released his sophomore album under his own name, entitled Yours Etc Abc.

Micko continues to use Landline Records as his primary musical outlet. In the time between albums, Reznor had busied himself with numerous other projects for Nothing, such as Marilyn Manson 's Antichrist Superstar album, the Lost Highway soundtrack and Rob Halford 's 2wo project.

Prior to recording the album, longtime drummer Chris Vrenna would part ways from the band, going on to launch his own project, Tweaker. Bill Rieflin and Jerome Dillon would take over drumming duties for the album, with the latter becoming the full-time, replacement drummer for the band, until The project developed into a major undertaking, becoming a double album. Canadian rock producer Bob Ezrin was consulted on the album's final track listing, in an effort to assemble the songs into a cohesive presentation.

Unlike the gritty angst of The Downward Spiral , The Fragile relied more of melody, ambient noise and atmospheric soundscapes. Thematically, it is a concept album dealing with Reznor's personal issues at that time, which included depression, anger and drug abuse. The Fragile was released on CD, vinyl and cassette on September 21, and debuted at number 1 on the Billboard with sales of , units, making it the first Nine Inch Nails album to top the charts.

The discs featured the bonus tracks from the vinyl, a Porter Ricks remix and an extended mix of "The Perfect Drug. The third single from the album, " Into the Void ," was released on CD in Australia on May 9, , featuring no exclusive content. Another music video was shot and released for the song. The band embarked on a worldwide tour in support of the album, with the first leg, entitled "Fragility 1.

Interscope Records reportedly refused to fund the promotional tour, following The Fragile's lukewarm sales, which had dropped sharply after its first week of release. Reznor instead committed to fund the entire tour himself, which quickly sold out.

He concluded that "the reality is, I'm broke at the end of the tour", but also added, "I will never present a show that isn't fantastic. The North American leg of the tour, entitled "Fragility 2. Rolling Stone magazine named Fragility the best tour of Reznor and Manson had been exchanging verbal barbs in the press during this time, so the video marked a brief reconciliation with the pair, with Manson appearing in and co-directing the video.

The release also includes a cover of the Gary Numan song "Metal. The band shot a music video to accompany the song, which did not feature any footage from the film. The CD included a bonus disc of softer renditions of older songs, as well as new material, entitled Still. In , Nine Inch Nails released a vinyl reissue of the album, as well as The Fragile: Deviations 1 ; a 4-LP set assembled by Reznor and Atticus Ross , featuring instrumentals and alternate takes, alongside numerous rare and unreleased tracks from the era.

At the conclusion of The Fragile era, Trent admitted himself into rehab and began to sober up, putting Nine Inch Nails on hiatus. Their falling out would become one of the major catalysts in the eventual demise of the label. Following a peak period of activity over the course of the late s, the output of Nothing Records began to slow after Many of the smaller artists were experiencing trouble with the label, due to increasing corporate interference, as a result of numerous corporate mergers.

While Nothing artists had experienced some issues with Interscope, it wasn't until Seagram 's came into the fold that the corporate interference began to cripple the label from operating under its original vision. Seagrams acquired Polygram and merged it with Universal, after which Vivendi acquired Seagrams. The new corporate leadership came in looking to cut costs, giving the edict to cut many smaller artists, which affected many labels, including Nothing Records. Many acts would part ways from the label during this time.

Warp Records would also establish their own US distribution through Caroline Distribution , resulting in all of their Nothing Records licensed acts departing from the label. Meanwhile during this period, Trent Reznor admitted himself into rehab and focused much of his energy into getting himself healthy. Their experiences would lead to a very public departure from the label, serving as example of the greater problems plaguing not only Nothing Records, but the greater music industry as a whole.

Their album, NakedSelf , served as something of a death knell for the label, after which only Nine Inch Nails and Marilyn Manson would continue bearing the label's name on their releases. Prior to arriving at Nothing Records, The The was an established, commercial success, with many critically acclaimed, hit albums, such as Infected , Mind Bomb and Dusk over the course of the s and early s. After having spent the majority of their career on Epic Records , the band found themselves at creative odds with their label over the recording of The The's album Gun Sluts.

They asked me if I could make it more commercial and I was outraged. I said 'forget it,'" Johnson recalled. In spite of their creative differences, Johnson stated, "The split from them was amicable, it wasn't acrimonious. I had a very positive relationship with Epic at that time, but they became really, really pop oriented and I was thoroughly marginalized.

For the first time in eighteen years, The The were free agents, in search of a new label. Nothing Records president John A. Malm, Jr. The passion, the honesty and the nakedness of his work opened doors of possibilities in my head. It was a simple decision for me to choose Nothing Records, I feel we share many of the same beliefs and passions and already it feels like a natural home to me.

I'm feeling galvanized and extremely excited about the next few years. Although the band already had Gun Sluts completed, they opted to leave it unreleased, which is how it remains to this day. Overall, the album was a mature, contemplative piece, released on February 29, on Nothing Records to wide critical acclaim.

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